(From Caras y Caretas, Buenos Aires, 1929)
I. You shall dance with
all your enthusiasm, all your senses, and from the bottom of your
heart. Dance is enjoyment that requires all the solemnity of a rite.
II. You shall be the guide
of your partner, who shall follow and understand you at any moment.
It would be improper to distract her attention with chatting.
III. Your right arm is the
main channel of communication between your thought and your partner.
You shall take care not to use it as an instrument of torture or a
wrinkling machine for clothing at the same time. You may observe the
lack of appreciation that you have roused in your partner also when
she, after dancing with you, looks the pitiful sight of arranging her
dress, as if she had participated in a match of Greco-Roman
wrestling.
IV. You shall button up
your jacket. Remember, your partner is no kitten wanting to hide its
head in your suit.
V. You shall not extend
your hand when inviting her to a piece. A dance is a mutual enjoyment
and not a service to be begged for like charity. Consider as well how
miserable you will look should she refuse and you have to withdraw
the hand you so imprudently extended. Your rule shall be to
respectfully approach the chosen one, to greet her with a slight
inclination of the head, and ask if she wants to dance with you. If
the response is affirmative, you shall accompany her, without giving
her your arm, to the place where the dance will commence. At the end,
you shall again accompany her in the same manner back to her seat.
Remember: she is your partner and not your protegée, as in the good
old days of the minuet and pavane.
VI. You shall never tell
your partner that skill and elegance in dancing are unknown to
you—even if it is the sad truth. You will influence her in such a
way the she will feel “inhibited”. And, do not worry, she will be
a better judge of your attitude than you are.
VII. You shall always
begin with a back or side step. With this system it will be easier
for your partner to understand you and the risk of a collision is
diminished.
VIII. You shall follow the
general direction in which the other dancers are moving. It is quite
possible that you could show off what you think are your unequaled
qualities as a dancer by dancing in the middle or against the flow.
But if it were given to you to hear the silent curses directed at you
by the majority, you would undoubtedly discontinue your absurd
undertaking.
IX. You shall dance
naturally. This includes elegance. The human body assumes an upright
posture by itself: assuming a different one shows the forced
character of your posture at a mile's distance.
X. And these are the ten
commandments of the good dancer: you shall dance dancing. Every
violation will receive immediate punishment in the shape of poisonous
comments.
Translation
© Wolfgang Freis 2017
No comments:
Post a Comment