In his autobiography,
Julio De Caro included a photograph of the orchestra of Vicente
“Kalisay” Gorrese, taken 1931 in Berlin in front of, as the
caption indicates, the “famous” Wunder-Bar.
The”famous”
Wunder-Bar in Berlin? Never heard of it! Did I miss something?
Members of the orquesta típica Gorrese, with singer Francisco Fiorentino (third from the right), in front of Hoffmann's "Wunder Bar" in Berlin, 1931 |
While there existed a “Wunder-Bar” in Berlin, it was not a place that reached any particular kind of fame. Famous instead (especially in Buenos Aires), was something else from which the bar in Berlin derived its name: the musical drama “Die Wunder-Bar. Ein Spiel im Nachtleben” by Geza Herczeg and Karl Farkas. De Caro apparently thought that the bar shown in the photograph was the model for the theater play.
The “Wunder-Bar” play
was premiered in Vienna in 1930. It quickly became an international
success. In 1933, the brothers Armando and Enrique Santos Discépolo
(author and composer of such tangos as Esta noche me emborracho,
Yira, yira, Cafetín de Buenos Aires, etc.) acquired
the rights and produced the play in Buenos Aires. Armando Discépolo
directed the play, Enrique Santos performed the leading role of Harry
Wunder and composed two tangos (Sin palabras, Tres
esperanzas), that were added to the play and sung by his wife Tania. The play turned
out to be great success in Buenos Aires (hence, the “famous”
Wunder-Bar). A second production, again with Enrique Santos Discépolo
playing the main role, was launched in 1947.
Enrique Santos Discépolo as Harry Wunder in Wunder-Bar |
No comments:
Post a Comment